Gnossiène
°1 (originally for piano) E. Satie.
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Some time ago I came up with a new tuning, and named it Diminishift.
I think it could be very suitable for a.o. oriental tunes.
|
hole ° |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
|---|---|---|---|---|---|---|---|---|---|---|
|
overblow |
* |
* |
Ab |
B |
D |
F |
Ab |
B |
D |
F |
|
draw |
C# |
E |
G |
Bb |
C# |
E |
G |
Bb |
C# |
E |
|
draw |
C |
Eb |
Gb |
A |
C |
Eb |
Gb |
A |
C |
Eb |
|
draw |
B |
D |
F |
Ab |
B |
D |
F |
Ab |
B |
D |
|
draw |
Bb |
Db |
E |
G |
Bb |
Db |
E |
G |
Bb |
Db |
|
blow |
A |
C |
Eb |
F# |
A |
C |
Eb |
F# |
A |
C |
I got the idea from the diminished tuning that has been explored by
a.o. Ed Coogan and Alfred Hirsch (www.jazzbrutal.de/eng/)
* Holes 1 and 2 are half-valved, so you can bend down their blownotes.
This implies of course they cannot be overblown.
Gnossiène
°1 (originally for piano) E. Satie.